In the film (as in the trailer), Anna Wintour states, "We all get dressed for Bill," so it seemed appropriate that I honor the man with an expressive ensemble.
The film itself was nothing short of moving. To see someone so dedicated to his work and so unaffected by the rest of the world is inspiring. I can't even fathom such a rigorous existence, entirely stripped of excess. He's quite an oddity among his often highly decorated subjects—duct-taping cheap rain-resistant ponchos when they rip, riding his bike constantly, living among fiel cabinets—but is respected nonetheless. A particularly humorous moment sees Bill talking to press registration at a fashion show when a superior grabs him and tells the unknowing employee/volunteer, "Please, he is the most important man on Earth." It's quite the statement, but his talent for story-telling justifies it. Unsurprisingly, the film is visually thrilling as well. Half the time I wished all the photographs that flashed across the screen went a bit slower. The various photo subjects interviewed provide a lovely sort of fantasy realm that Bill dutifully captures. I am not typically in awe of old men, but Mr. Cunningham has truly blown me away. His hunger for beauty and sense of self deserves the highest respect. Richard Press has captured this in a film that is as fascinating as it is heartbreaking, and as hilarious as it is galvanizing. This is a story I will hold dear to my heart for years to come.
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